Ercole Spada regretted that this was the most radical design.
Even though Lancia's Carlo Pesenti had asked for "a Flavia to turn heads".
So the Zagato designer was pleased to hear that everything was approved.
And they could go ahead with production in Milano.
This presentation is even a bit subdued - and the SS never happened.
So today we can all enjoy the fabulous Flavia Sport.
Four years later at the Zagato factory - Elio on the left.
When sportscar-guy is in doubt wether he really is GT-man. I went and told Jan and Daniele at Stelvio Automobili in Copenhagen about my dilemma, and they suggested I drove two of their cars. This one is "Made in TORINO".
Seen for sale here: Lancia Flavia 2000 Coupé
In my garden last weekend: The 1st Coppa Asserbo gentleman get-together.
Keld was unable to drive his car home - and left it over ...
So what else was there to do - than fill it up and go touring?
Every other tuesday there is a road-car trackday at Sturup Raceway.
I need the practice and Keld Jørgensen was curious about trackdays.
So we spent the 100€ each and took a 3h stay in Sweden.
Keld insisted that he was not nervous at all ...
My junk out of the car - now to the Flaminia stock-pile trunk ...
Who needs safety belts when you can hold on to such a stylish wheel?
The satisfied drivers after the whole thing went well.
Fuel for the pilots at Ristorante V.E.S.P.A. in Malmö.
And then heading back to CPH via bridge-and-tunnel.
No patience for examination - I just went and bought the parts.
And while the radiator is out - Steffen may as well fit a racing (small) heater in the cabin.
First trip: The 4 ferries with Klaus, Peter and Keld.
Keld always has Martini in the car.
Next trip: Sailing to Sweden - joined by Per Holmen in the Berlina.
Having pickled herring and buttered potatoes for lunch - yummy.
I was way behind in Keld's car-purchase; this is his NSU Sport Prinz (Scaglione)
And then away to Sweden again for some crazy and wonderful italian cars.
For most classic car owners - and among them collectors - the car they actually own can usually be traced back to a childhood or youth memory. Look at me for instance; I find it extremely difficult to buy anything but Alfa Romeo cars. Others try to get hold of the top cars in vogue right now - what is hip? They want to be seen in the icons - some of them eternal icons. You know; any Ferrari - the older the better. A Lamborghini - preferably a Miura or a Countach.
Keld is different; when I first met him, he drove his black Lancia Flaminia Pininfarina GT to a meeting at the Custom House. I applauded his choice of such a splendid marque (he agreed). He invited me to drive the car - an offer I couldn’t resist. And I applauded the phenomenal technology of the Lancia Vu Sei and the transaxle with de Dion rear (he agreed). But when I mentioned Pininfarina he suddenly changed gear - so to speak. And I learned that he knew so much about HOW the original italian designers thought. How they were competitors while still also owing genuine respects for each other. He also told me that he had bought an Anderloni GT Lungo.
I have always cherished the italian lines and shapes - it is one of the main reasons why I drive Alfa Romeo. But I focus on the mechanical solutions; nobody did better mechanical solutions than Alfa Romeo. Lancia always did exciting technical design, but their engineering solutions were never as solid choices as Alfa’s were. Take the Fulvia; pioneering a sporty front wheel drive and a well thought-out narrow V4 in a compact and agile chassis. But in my opinion - the ends don’t meet. Not until Ercole Spada, then house designer at Zagato, penned the Fulvia Sport. Like the one Keld has here. A beautiful silver sports car; a real purposeful stretch of the nimble Fulvia Coupé. And Keld can talk for hours - he repeatedly interrupts my filming because he wants to show this or that detail. I borrowed the big WAFT book on SPADA from Keld; it’s the one with the aluminium cover. A wonderful story about a very interesting and different man. Ercole Spada was a very modest self-taught designer - making crazy cars with crazy Elio Zagato and actually ending up at BMW designing their most beautiful 5-series line.
I must admit that Keld’s Lancia fling has awakened a doubt in my mind - my next car will hopefully be a Flaminia Berlina. But again more for my engineering lusting than for the Pininfarina design. Keld’s black GT shares the dashboard and many interior details with the otherwise chunkier Berlina. And that is actually one of the premium qualities of the Coupé, but again his passion for the vehicle is the stories - the heritage of modern car design founded with these revolutionary late-1950s lines from Torino. Even de Gaulle hailed the Pininfarina house for it’s contribution to French and particularly Peugeot design.
It’s impossible to have a passion for italian designers without owning a Fiat. Keld has a few and his longtime favorite is the tiny 850 Spider - by Giugiaro while at Bertone. It has so many delicious details - some original and some copied from even earlier cars. That’s how it works. It is what they call heritage.
I mentioned that the basement is run between friends. And one of them is Dorthe who has evolved this phenomenal Fiat 600 Multipla. She is also well known throughout the Danish classic car community - and her car has a certain - let’s say feminine touch. And she always wins at Concours de Charme events.
But we were talking about Giorgetto Giugiaro. The lighthouse of italian car design; Bertone, Ghia, Italdesign - appointed car designer of the century. Don’t ask Keld who designed the Miura - and then suggest Marcello Gandini. No matter what the consensus is - Giugiaro is the king. And among the collection is this handsome Subaru SVX (or Subaru Vehicle X) with a 3.3 Liter six-cylinder boxer engine and with lines that evidently mimics the original sketches from the hand of the master. Almost like a cartoon and definitely conveying the pencil strokes of Giugiaro.
Which brings us the master stroke: The original Fiat Panda. In a way it is the Citroën Deux Chevaux interpreted into stylish - into italian by Giorgetto Giugiaro. It is so simple but much more robust than the 2CV, better thought out in many details, and so simple it waters your eyes. Details keep coming up - and while Keld points them out for me, I get it! This is what he means: The 2CV is lovely and you can’t help falling for the french simplicity. But it IS focused on functionality! This car is ALSO focused on functionality - but is has that extra touch that only italian design can have - it is complete - it tells a story besides the story about functionality. La bellezza necessaria - the necessary beauty.
Oh that’s and old Alfa Romeo slogan - well, never mind. I get it!
I am so lucky to have a film about the original owner of my car. Frank Erwing Pedersen is sadly not among us anymore, but he was a colorful character back around the time when the Historic Races in Copenhagen started. CCCC was run as a culture-city event in 1996, and by the year 2000 it had established itself as a bi-annual event. I stumbled upon my own photos from the 2000 event at Holmen Naval Station.
And this fall I even travelled to the Padova Auto e Moto d'Epoca with Gorm Bang Olsen, the gentleman who arranged it all back in the days. He is the amiable and determined guy in the Triumph. Enjoy the film.
What I enjoyed the most today on the internet was reading an interview with Joe Colasacco on Petrolicious about how he came to drive his yellow Alfa Romeo Giulia TZ hard - and winning so many races. It is a wonderful story - read it at www.petrolicious.com.
The Alfa Romeo Giulia Tubolare Zagato
The angry and deadly Maserati Tipo 151.
He mentions how he got to own the Maserati Tipo 151; and we all very well know that car, right. It was Giulio Alfieri's attempt at creating a Le Mans winner from the powerful 450S; it has a closed cockpit and (what was then seen as) clever aerodynamics. And of course it never won anything; this one car, the only surviving of three built, has tried to kill everybody who has ever driven it - Joe's own words in the article.
This is the Alfa Romeo 6c3000 he mentions in the Petrolicious interview.
... and a car he doesn't mention the Ferrari 1512 formula 1 - 1.5-liter 12 cylinder.
This beautiful video shows why we love classic cars and historic motor racing. It shows the passion and how it materializes when we drive our cars like they are supposed to be driven.
This video, on the other hand shows us how it is done. This is REAL-REAL driving an OSCA MT4 as it really happens.
And here we se what goes on as we live our dream and fulfill our passion. I know it is from a high-revving motorcycle engine, but it makes you think twice - in awe of the guys who originally designed our engines.
Friday afternoon Søren Malmstrøm called me and suggested that I followed a group of "Nørrebro Racing" cars on the Four Ferries Trip around the Ise firth; it's a round-trip (virtually) ticket for a 200 km tour with four water passages. And you buy one ticket per car and one ticket per passenger. I had already been contemplating that tour with Per Holmen in the Sunbeam Alpine and Klaus Rejkjær in the Alfa Romeo Giulia Sprint GT Veloce. And lo and behold; they lept at the chance. A quick coffee and off we were the following morning. A splendid Saturday.
Such a nice day - even the tickets look nice.
Nørrebro Racing only brought a Porsche Speedster and a TVR 3000M.
I had my video-kit with me - and everybody else joined in with snippets of iPhone film.
Per Holmen itched for a test drive of his new Sunbeam.
In the evening all back at our starting point.
The boys - Klaus is impatient and noisy in the Bertone GT in the background.